1997 Federico Garcia Lorca's Notion of Duende in the Paintings of Frida Kahlo and the Poetry of Pablo Neruda: Toward a Poetics of Synthesis, Terry Hauptman. 1996 The Use of Time in Kiefer and Wenders, Brian Fitzpatrick. Humanistic Pastoral as Central Image as Seen in Selected Examples from Giorgionesque Pictorial Constructions and Tassian Literary Compositions, Hanchuan Wang. 1995 Opera Seria and Late Baroque/Pre-Neo-Classical (1700-1750) Forms in Venetian Scenografia, Quadratura and Narrative Fresco Painting: Alessandro Scarlatti, Ferdinando Bibiena, Gerolamo Mengozzi-Colonna and Giambattista Tiepolo, Ken Breidenbaugh. A Study of Selective Theatrical Environment: Exploring the Internal Symbols Between Graham's Choreography and Noguchi's Set Sculptures (1946-47 Productions), Keram Nimri. A Study of the Poetic Transformation of the Visual Images of Paradise in the Alhambra Palace in Theophile Gautier's Prose and Poetry of Andalusia, Inas Alkholy. The Individual and Modern Culture as Presented in the Language of James Joyce and the Works of Robert Motherwell, Guy Kaiser. Time and Space as an Interdependent Single Modality in the Passage "La Petite Phrase" by Marcel Proust and in the Painting "Starry Night" by Vincent Van Gogh, Ivy Rosset. Fred Francis: A Comparative Study of His Architecture and Oratory, Steve Litchfield. A Musical Interpretation of William Hogarth's "Marriage a la Mode" and Henry Fielding's Jonathan Wild: Tonality as Artistic Principle, Sandra Ranney. Tao in the Western Landscape: Searching for a Taoist Analogy in Whistler and Thoreau, Aihua (Tina) Zhang. 1994 A Carolingian Concept of Modulation as Seen in the Church of St. Donat and Alcuin's Acrostic Poetry, Rozmeri Basic. Deconstruction as a Creative Process as Seen in Peter Eisenman's Wexner CENTER for the Visual Arts and Gyorgy Ligeti's Ramifications for String Orchestra Or 12 Solo Strings, Norma Humphreys. Shape of Ideas: Reduction as the Structural Device in Selected Works of Samuel Beckett and Gu Wenda, Gan Xu. Light and Color in Two Mythic Worlds: W.B. Yeats's "the Wanderings of Oisin" and Bruce Baillie's "Quick Billy", Kathleen M. Connor. Related Concepts of Neoclassicism in Selected Twentieth Century American Works of Music and Art, Kathleen R. Jonas. The Displacement of Eye/I in the Text: Anti-Ocularcentrism in Samuel Beckett's Trilogy and Jean-Luc Godard's Two Or Three Things I Know About Her, Yee-Woo James Chen. The Influence of Maeterlinck's Verbal Iconography, as Depicted in His Symbolist Drama, Upon the Visual Iconography of Macdonald's Gesso Paintings, Sharran Parkinson. 1993 Music in Gargantua, Timothy Mcmasters. Place and Relationship: A Study of the Settings of Selected Plays in the Wakefield Mystery Cycle and the West Chartrain Portal, Cheryl J. Jetter. A Rhetorical Study of Coventry Cathedral and Benjamin Britten's War Requiem Revealing the Tropes Metonymy Metaphor and Irony, Patricia L. Brace. Scholastic Philosophy Reflected in Twelfth-Century Art: A Study of the Jeu D'Adam and the West Facade Stained Glass At Chartres, Patrice C. Ross. Relationships Between Art and Reality in Post-Modernist Meta-Art, Reidun Ovrebo. 1992 The Arts of the African Methodist Episcopal Church from 1786 to 1900 as Viewed, Heard and Read in the Works of Edward Hazelhurst, Samuel G. T. Morsell, (the Unknow , But to Be Research Architect of Emmanuel Ame), Richard All, Henry Mcneil Turner, and James C. Embry, Julian S. Peasant. Art as Medium of Propaganda: The Comparative Analysis of El Greco's Painting the Burial of the Court of Orgaz (1586) and Calderon's Drama El Gran Teatro Del Mundo (1636), Soeprapto Soedjono. 1991 Concepts of Time and Space in Selected Works of Jazz Improvisation and Painting, Henry Q. Rinne. Aesthetic Distance: An Artistic Principle Manifested in August Strindberg's the Ghost Sonata and Alban Berg's Wozzeck, Kimberley M. Jones. The Silent Poetry and Invisible Painting: The Comparative Study on the Relationship Between Painting and Poetry as Seen in the Selected Writing and Works of Su Tung-Po and Leonardo, Yuheng Bao. The Influence of Gothe's Farbenlehre Upon Paul Klee's Ad Parnassum and Anton Webern's Variations for Orchestra: A Comparison, Beverly A. Carter. 1990 The Synthesis of World-Views in Fifth Century Greece: A Study of Time and Space in Aeschylus's Oresteia and the Parthenon, Beth Ellen Stewart. "A Judicious Obscurity": Formal Tension in Selected Works by Ludwig Van Beethoven and Caspar David Friedrich, Susan G. Jackson. "Principles of Hypotaxis and Parataxis as Applied to Two Late Medieval Works: The 'Missa Nobilis Et Pulchra' by Walter Frye, and Salisbury Cathedral", Ryan D. Chadwick. Effects of Dialectic Materialism on Selected Works by Bertold Brecht and Theodore W. Adorno, Donald L. Cleary. 1989 Abstract Structures in Oliver Messiaen's Couleurs De La Cite Celeste and Ted Hughes' Crow, Mary Ann Montgomery. Bloomsbury Literature and Painting: Aesthetic Correspondences of Art Theory and Form in Selected Works of Vanessa Bell, Duncan Grant, and Virginia Woolf, Eugene M. Hood. Ar Combinatoria and the Signification of Mary: A Comparative Study of the Missa Ecce Ancilla Domin: by Johannes Regis and the "Morgan Hours, " M. 646, Peter L. Schmunk. 1988 The Grotesque as a Vision of the World in Selected Plays by Slawomire Mrozek and Selected Paintings by Stanislaw Ignacy Witkiewicz, Ewa B. Stawecka. 1987 Wit in the Critic and Syon House, Imelda Rose O'Connor. Some Aspects of Bonaventure's Reductive Method in the Rohan Hours and Ludus Coventriae, Amelia (Amy) Stewart. 1986 A Picturesque Approach to an Examination of Shelter in Walker Evans' and James Agee's Let Us Now Praise Famous Men, John (Jack) Agricola. Descriptions of the Spatial Infinite At Greenwich Naval Hospital, on the Lower Painted Hall Ceiling, and in the Seasons, Ann Balakier. Color: A Credible Link Between the Painting of Eugene Delacrois and the Music of Hector Berlioz?, Karen Rosell. 1985 Some Artistic Aspects of Catholic Liturgical Reform: A Comparative Study of the Influence of Vatican Council II on Music and Architecture for the Liturgy, Michael Desanctis. Play-Metaphor as an Element of Design in Selected Works of Jean Cocteau and Erik Satie, Garry Pound. Neoclassicism as Perfected in America in Selected Works of Horatio Greenough and Washington Irving, John Aylesworth. The American Dream in Form and Concept in Thornton Wilder's Our Town, Norman Rockwell's "Saying Grace", and the Architecture of Hudson, Ohio, Penny Frese. Experimentations in Temporal and Spatial Techniques in the Nineteenth and Early Twentieth Centuries: An Examination of the Work of J. M. W. Turner, Joseph Conrad, Wyndham Lewis and C. R. W. Nevinson, Terry Scheid. 1984 The Metaphysical Poem and the Vanitas Still-Life of Seventeenth-Century Holland, Kristine Koozin. 1983 An Inquiry Into the Relationship of Ecumenism to Church Architecture and the Ecclesiastical Arts in the United States During the Twentieth Century: A Formal Analysis and Comparison Study of Three Selected Works, Mary Eve Shoaf. Aspects of Omniscient Presence in Henrik Ibsen's the Master Builder and Richard Wagner's Tristan Und Isolde: A Comparative Analysis, David M. Haas. Polemical Organization as Style: An Approach to Flannery O'Connor's Wise Blood and Georges Rouault's Miserere in Terms of a Perspective Provided by the Modern Catholic Novel, Scott V. Feaster. An Inquiry Into an Aspect of the Aesthetic Doctrine Known as Sentimental in Selected Works of Washington Allston and William Dunlap, James L. Elder. The "Mystic Way" as an Analytical Tool Applied to Victoria's Requiem Mass (1605) and Calderon's El Dia Mayer Da Los Dias, Barbara F. Korner. 1982 Moral Design in Seventeenth-Century Theater and Architecture as Seen in Selected Works of Dryden and Vanbrugh, Riva Kuhl. An Analysis of the Idea of Violation-Within-Containment in Selected Plays of Harold Pinter and Paintings of Francis Bacon, David Deacon. Perceptions of the Comic Muse: Correlating Theory and Practice of Hogarth and Goldsmith, Gregory A. Miller. The Indiana Soldiers' and Sailors' Monument and Its Dedication: A Study of a Nineteenth Century American Monument and Its Allied Arts of Pageantry, Anthony Grimaldi. The Dance of Death in the Work of Strindberg, Ensor, and Mann: A Study in the Grotesque, Patricia Scott. A Study of Metaphors for Time in Samuel Beckett's Play Endgame and Marcel Duchamp's Ready-Mades, Ronald Jones. "Some Common Aesthetic Tendencies Manifested in Examples of Pioneer American Cabins and Old Harp Music and in Selected Works of H.H. Richardson and Charles E. Ives", Robert Bonham. English Royal Chapels and Chapel-Music, Ca. 1475-1515, Raymond Wilson. 1980 The Arts in Transition: A Study of the Effect of the Reformation in England on Selected Examples of Music and Architecture During the Reigns of Henry VIII and Edward VI, Dorothy Murray. Chernyshevskii, Dostoevskii, and the Peredvishniki: Toward a Russian Realist Aesthetic?, Richard Brown. Elements of Myth in J.R.R. Tolkien's Lord of the Rings and Selected Paintings of Paul Klee, John Calabrese. 1979 Twentieth Century Concepts of Monumentality: A Study of Monumentality in Architecture and Theatre, Douglas Campbell. The Arts in the Court of Frances I 1515-1547: A Comparative Study of Selected Examples from Poetry, Music and Visual Arts, Elizabeth Rhoads. 1978 The Relationship of the Arcological Architecture of Paola Soleri to the Evolutionary Thought of Pierre Teilhard De Chardin, John Dolin. An Architectural Approach to Scene Design: The Works of Sean Kenny, Harold Hunter. The Hermeneutics of Silence: Webern's "Eingang" and the Works of Jean Tardieu, Elizabeth Behnke. Two Neighborhoods: from the Inside Looking in, Peter Veinus. Eurhythmics and the Analysis of Visual Musical Synthesis in Film: An Examination of Sergei Eisenstein's Alexander Nevsky, Malcolm Bowes. 1977 An Investigation of the Function and Significance of Planes, Planar Forms and Slabs in Selected Twentieth Century Paintings, Sculpture and Architecture, Thomas Geerin. Euripides and Classicism, David Golden. The Sublime as an Aesthetic Correlative: A Study of Late Eighteenth Century English Aesthetic Theory, Landscape Painting and Gothic Drama, Donald Doe. Romantic Aspects in the Work of Thomas Jefferson, Donald Shonting. An Analysis of Ortega Y Gasset's Theory of Dehumanization and Its Applicability Among Selected Works of Luigi Pirandello, Mies Van De Rohe, and Le Corbusier, Michael Young. 1976 The Figurative Pretext: A Comparative Explication of the Fiction of Alain Robbe-Grillet and the Painting of the Photo Realists, Robert Lemon. The Aesthetic Quest of Thomas Cole and Edgar Allan Poe: Correspondences in Their Thought and Practice in Relation to Their Time, Sidney Kurland. The Fisherman in Yeran Painting and Literature as Reflected in Wu Chen's Ye Fu T'U in the Shanghai Museum, William Lew. A Semiotic View of Post-Modernism, Wendy Holmes. A Comparative Study of English "Preraphaelitism" and Italian "Preraphaelitism's" Influence on the "Modernismo" Art of Don Julio Romero De Torres and the Literature of Don Roman Del Valle Inclan in Their Use of the Feminine Mystique, Joseph Rodeiro. The Spread of Effect of the Aesthetics of Dionysius the Areopagite, Laurence James. Time in Impressionism and Cubism: Stylistic Continuity Demonstrated Through a Study of the Temporal Elements of Each Movement, Richard Sorenson. 1975 Aspects of Baroque Arts in Granada Spain: The Basilica of San Juan De Dios, Helen Galloway. Critical Observations of Francesco Algarotti as Expressed in Three of His Essays on the Fine Arts, Robert Holland. Platonic/Neoplatonic Aesthetic Tradition in Art Theory and Form: Relationship of Sense Object to Idea in Selected Works of Hindemith and Klee, Karen Adams. The Aesthetics of the Veil: Conceptual Correspondences in the Nocturnes of Whistler and Debussy, Blaine Kauffman. 1974 Frontier Spatiality: Spatial Themes in Western American Painting and Literature, Herbert Gottfried. Seeing Art as Something: A Comparison of Structuralism and Hermeneutics in Relation to Selected Works of Poetry, Painting, and Film, Gerald Deschepper. Frank Lloyd Wright -- Pablo Picasso -- Arnold Schoenberg Signposts of a New Civilizational Context, Walter Scholl. A Collateral Study of Selected Paintings and Poems from Marsden Hartley's Maine Period, Gary Gillespie. 1973 The Artist as Coordinating Intelligence: The Aesthetic Methodologies of Paul Cezanne and Adolphe Appia, John Reboli. Walt Whitman: An Impressionist Experiment?, Jessica Haigney. Abreactionary Elements in the Plays and Selected Paintings, Prints, and Drawings of Oskar Kokoschka as Related to the Ego-Anima Conflict as Discussed in the Psychology of Carl Gustav Jung, Donald Kelm. The Psychomachian Dilemma in the Middle Ages and in the Twentieth Century in Camino Real by Tennessee Williams and in Paintings by Max Beckmann, Rosemary Henenberg. The Parallel Forms of Erotic Painting and Poetry in the Sixteenth Century French Court, Frederick Bunce. An Investigation of Olana, the Home of Frederic Edwin Church, Painter, Peter Goss. 1972 Pavel Tchelitchew as a Twentieth Century Humanist: The Reconciliation of the Human and the Cosmic in His Paintings and Theatrical Designs, Sylvio Gaggi. Antiquarianism as Moral Theory on the London Stage from 1794-1817: A Study of the Interrelationships Between the Arts of Poetry and Painting in the Theatrical Productions of John Philip Kemble, James Quinn. Interior Architecture and the Media for Its Enrichment, George Fuller. The Concept of Machismo in the Poetry, Music and Dance of the Gaucho of the Rio De La Plata, Mary Wortman. 1971 The Shattered Frame: A Study of the Grotesque in Nineteenth Century Literature and Music, Patricia Pinson. Anagnorisis in Selected Examples of Mantuan Architecture, Painting and Music, 1525-1550, Robert Mckaskell. Perceptions of Some Artists in Residence in Ohio Colleges and Universities, Robert Skinner. The Symbiotic City: The Aesthetic Reconciliation of the Natural Scene and Man-Made Spaces, Douglas Brown. Imitation of Nature in French Drama and Painting, 1640-1680 and 1740-1780, Harriet Tong. Ernest Hemingway and the Painters: Cubist Style in The Sun Also Rises and A Farewell to Arms, Phillip Adams. 1970 A Comparative Study of the Views of Present Reality Manifested in the Art Works of Fernand Leger and Edgard Varese, Charles Johnson. The Fleury Conversio Sancti Pauli - A Study of the Liturgical Drama and Its Setting, Colonius Davis. The Origin and Development of the Fountain, Both as an Artifact and Image, as Shown in Three Works of the Spanish Renaissance, Edmund Demers. An Aristotelian View of a Method of Observation as Seen in Aristoxenus of Tarentum and Lysippos of Sikyon, Glenn Long. American Limited Audience Cinema as an Art Form, William Cox. Major Criteria for Contemporary Liturgical Art, Theresa Mcgeady, Sr.. Music and Painting in the Paragon of Eugene Delacroix, Thomas Regelski. Man on the Boundary: The Nature and Significance of the Image of the Clown in the Art of Charles Chaplin, Georges Rouault, and Samuel Beckett, Thomas Niccolls. Participatory Events as Art, Philip Mullen. 1969 The Influence of the Counter-Reformation on Religious Painting and Music in Bologna, 1564 1615, Paul Hilbrich. An Investigation of Marian Symbols Found in the Courtly Art of the Late Gothic Period, Merici Gaietto, Sr.. Cultural Dualism on the Themes of Certain Afro-American Artists, Allan Gordon. The Arts and Architecture of Coventry Cathedral: Their Goals and Their Function, Bruce Magidsohn. The Manipulation of Time and Space in the Works of Alain Robbe-Grillet and Alain Resnais, With Particular Reference to Last Year At Marienbad, Richard Blumenberg. Luigi Pirandello on Film, Frank Nulf. A Structural Comparison of Jean Genet's the Blacks and the Roman Catholic Mass, James Carlos. A Psychological-Historical Investigation of the Interrelationships of the Arts as Seen in the Painting Ultimate Painting #19 (1953-1960) by Ad Reinhardt and the Musical Composition, Filigree Setting for String Quartet (1960) by Mel Powell, Beverly Malmstad Warner. The Didactic Function of a Work of Architecture as an Art in the Twentieth Century, William Reckmeyer. 1968 An Attempt to Determine a Basis of Johannes Vermeer's Method of Painting by a Comparison of the Images Formed by the Simple Lenses of Seventeenth Century Optical Devices With the Images in Most of Vermeer's Paintings, Daniel Fink. The Photographic Image in England from 1839-1865: An Interrelated Study of Photography and Painting Showing the Emergence of a New Medium Amid Academic and Pre-Raphaelite Art, John Fuller. Four Concepts of an Organic Principle: Horatio Greenough, Henry David Thoreau, Walt Whitman, and Louis Sullivan, Ronald Fields. The Influence of 20th Century Painting and Sculpture on Staging Techniques of the 1965-66 La Scala Opera Season, Floyd Herzog. A Comparison of Edward Albee's Who's Afraid of Virginia Woolf? as Drama and as Film, William Storrer. 1967 A Study of Didactic Attitudes on the Fine Arts in America as Expressed in Popular Magazines During the Period 1786-1800, Jack Schoof. The Phenomenon of Aesthetic Detachment Experience as an Operative Force in Twentieth Century Art, Specifically in the Surrealist Theatre of Jean Genet and on the Surrealist Painting of Salvador Dali, Eugene Alesch. The Multiple Realities of Artistic Creation: Joyce Cary's "Art and Reality" and His First Trilogy, Catherine Steiner.