Ph.D. History of Art and Architecture, Columbia University, 2007

M.A. Columbia University, 1999

B.A. Barnard College, Columbia University, 1997

Jaleh Mansoor teaches Modern, Post World War II, and Contemporary American and European Art in the School of Art at Ohio University. She has held visiting positions at The State University of New York, Purchase, and at Barnard College, Columbia University. She is currently preparing a manuscript on issues in Monochrome Painting in Italy, France and The United States during the Cold War and Marshall Plan.

Professor Mansoor also teaches courses on the History of Photography; The Histories and Methodologies of Art History; Aesthetics and Politics. She is an editor of the forthcoming volume, "Communities of Sense: Rethinking the Conjuncture of Aesthetics and Politics" on Duke University Press (Fall 2009). She has contributed regularly to magazines such as October, Artforum, and Texte Zur Kunst, in addition to various catalogs.

Publications include:

• Texte Zur Kunst-Whitney Biennial Review (Spring 2008)
• “Fontana’s Atomic Age Abstraction: From the Spatial Concepts to the Television Manifesto,” October No. 124 (Spring 2008)
• “Ed Ruscha’s One-Way Street,” October Files: Ed Ruscha, MIT Press, (forthcoming).
• “To the People of New York City: Blinky Palermo’s Monochrome as Sensus Communis,” (Forthcoming essay for Dia Art Foundation’s book on Blinky Palermo, Dia Art Foundation, New York, 2009).
• Burri Review. Artforum. March, 2008.
• “Geometry of Hope” Review. Artforum. January, 2008.
• “The Sediment of History: Interview with Allora and Calzadilla” (with Yates McKee) Parkett (Fall 2007).
• Palermo Review. Artforum. September, 2007.
• Fontana Review. “Focus Review: Lucio Fontana;” Artforum, February, 2007.
• “Joelle Tuerlinckx’s Elastic Drawing;” Joelle Tuerlinckx. New York: The Drawing Center, 2007.
• “Day For Night: In the Twilight of Melancholy;” Texte ZurKunst-Whitney Biennial Review (Spring 2006)
• “Ed Ruscha’s One Way Street;” October No. 111 (Winter 2005)
• “Kurt Schwitters’s Merzbau: The Desiring Machine;” Lotus International No.123 (Winter 2005)
• “Piero Manzoni: “We Want to Organicize Disintegration’ “; October No. 95 (Winter 2001)